PAULNACHE and I always try to do things differently, and returning to Sydney Contemporary, we wanted a complete focus on the new paintings. They were presented in a snaking line across the heritage wall of Carriageworks, without the artist’s name, no placards, QR code or anything to interfere with a direct experience of the work. With over 25,000 visitors over four days, we engaged with everyone, from First Nations artists to the Volunteers. It was a memorable success.