Now that we exist both offline locally and online globally almost simultaneously, the baroque seems like a suitably multi-perspectival viewpoint to navigate our 21st Century existence from.
Writer Lucinda Bennett referred to these works as Wet Maps, “living, breathing ecosystems, and visualisations of a new kind of urbanism”, and they propose a fluid way of encountering the world, where the world itself is fluid and porous.
Evan Woodruffe was born in 1965 in Auckland, Aotearoa New Zealand, where he currently lives and works. He is a Master of Fine Arts (1st Class Honours), University of Auckland, and the recipient of the 2011 Molly Morpeth Canaday Award and 2003 Becroft Premier Award.
Evan exhibits throughout the Asia-Pacific region, and has work in significant collections in Singapore, Beijing, Sydney, Melbourne, and New Zealand, including the prestigious Wallace Arts Trust in Auckland.
His recent exhibitions include Tauranga Art Gallery, Sydney Contemporary at Carriageworks, Spring 1883 in Melbourne, and Dunedin Public Art Gallery,
Gallery 9, Sydney, Australia 27th February 2019
PAULNACHE, Gisborne, New Zealand 5th April 2019
Selected Exhibitions links
the world is porous, Tauranga Art Gallery 2018
Art of Performance collaboration with Jaguar Singapore 2018
9x2=18 PAULNACHE 2018
Nowhere to Somewhere, PAULNACHE 2018
Sydney Contemporary PAULNACHE 2017
Village Huha PAULNACHE 2017
Spring 1883 Melbourne PAULNACHE 2016
Lost Dimension, WooSpace, Beijing 2016
Auckland Art Fair PAULNACHE 2016
Graffiti Lounge, PAULNACHE 2016
Intellectual Fashion Show, Gus Fisher, Auckland 2016
Hypnic Jerks PAULNACHE 2015
Dodge, Rear Window, Dunedin Public Art Gallery 2015
Here Comes Everyone OREXART 2015
Considered, M Contemporary, Sydney 2015
UNfold FourFOLD, Ferriera Projects, London 2015
Melbourne Art Fair PAULNACHE 2014
tattered by attempting moonbeams OREXART 2014
7 x 2 = 14 PAULNACHE 2014
Art for the People! with Catherine Ellis, 5th Auckland Triennial, Auckland Art Gallery 2013
Drawn Back Te Koputu a te whanga a Toi, Whakatane 2013
The Memory Archive OREXART 2012
Voyeur, with Imogen Taylor, K’Road, Auckland Art Week 2012
Time is a Thief OREXART 2011
The Dangerous Looseness of Doom OREXART 2010
Scene OREXART 2008
Lost Blue Heaven OREXART 2005
Laid Down OREXART 2003
ElGenaidi, D. (2018). A View from the Easel Hyperallergic.
Gardiner, S. (2017). Dabbling with Consciousness, Art Collector (SC17 Special Edition).
Seed, J. (2016). Assertively Decorative, Huffington Post.
Bennett, L. (2016). Wet Maps: Evan Woodruffe's Painted Networks, Art New Zealand 157
Seed, J. (2015). Heightened Perceptions, Poets & Artists 65.
Marshall, J. (2005). The Dialectic of Terror & Temptation, Art New Zealand 117.
In the Studio Wallace Arts Trust 2017
Graffiti Lounge 2016
Evan Woodruffe Hypnic Jerks 2015