This painting was the centrepiece of Trip Hazard (2021), and marked a fresh approach for me. I sought to put more space into the paintings, to empty out the detail yet retain the surface complexity. They emphasise the application of point, line, and plane directed by Wassily Kandinsky (1866 – 1944), mixed with baroque skies and calligraphic ribbons, all painted over my old shirts and scraps of material from Strangely Normal tailors.